Film Intensive w/ Steve Vincent, Casting Director/ owner of Palm Star Casting/ Entertainment
Use Actors Access, drop them a note and submit ONLY if you are completely right for the role. Make sure to submit for what's appropriate for you, otherwise, you wont be taken seriously the next time you submit.
Their offices: 36 E. 20th St. 3rd Fl. NYC
They open EVERY submission
In casting calls (this is HIS preference ONLY. Everyone casting person is different): Be as off-book as possible, be as familiar with the material & character as possible, ask questions.
Good opportunity: Be a reader, they're looking for readers all the time. Send them a note.
If there's a special skill that the submission requires and you have it- put a note in the submission so they don't miss it!
JOHN GALLAGHER- DIRECTOR - ACTING FOR THE CAMERA WORKSHOP (at The Network):
Notes:
* The camera will read you well in film, so you don't need to "act", let the camera do the work.
*Many directors in auditions, even experienced directors, don't know what they're looking for until they see it.
*When you walk into an audition- OWN THAT ROOM!
* Directors look for actors who deliver lines in interesting and creative ways.
Helpful Exercises:
*Put your face in close-up on camera and record yourself doing an interview, talk, scenes, etc. You'll find things about your face you didn't know: your best angle, your facial expressions, etc.
* Look at a scene for 3 minutes then do the scene as an improv without the script. Then go back and do it with the script.
Other Notes: DO STUDENT FILMS (he recommends SVA) - ****Learn how to be GOOD in a BAD film! Be the actor who stands out, even when given bad material!
SVA's Program Director/ Teacher: Alexa DiCambio: casting@sva.edu
Make a reel with a Flip Cam if you can, it' HD and CHEAP. Record a monologue that's 1.5-2 minutes max.
Recommended Books:
-Harold Guskin "How to Stop Acting"
-Susan Batson "Truth"
ON SET: know the protocol, who's job is what, etc.
His website w/ contact info: JGmovie.com
Thursday, March 10, 2011
Thursday, February 3, 2011
Commercial Improv Intensive Notes
This workshop was great and I recommend it to anyone thinking about getting into commercials! It was $99 for an all day intensive from 10am - 5pm.
Where: Actors Connection
Who: Barry Shapiro
We started out with a game called "Blank a Blank"- I was basically charades but you had to act out a phrase like "Bury a Body" or "Draw a Map" or "Change a Diaper".
This was great because it really got us going and was a great ice-breaker.
"Audition" 1 was for KMART. It was a speaking exercise. All we were told was to walk into the store, take it all in, and decide what we wanted to do.
What we learned was:
-we needed to establish a relationship when working with a partner.
- If you decide to go in the improv- go! Don't stand there waiting for the camera to turn off.
- Don't break character, just do what you say you're going to do.
-When speaking about a product or company in a commercial improv, don't use the work: cheap.
- Keep the joy throughout the commercial, stay positive
Exercise/ "Audition" 2: Facial Expressions
We were told that we would hear a voice-over with certain emotions, and we needed to convey them one right after the other as we heard them, within about 30 seconds. It was a close-up shot on our faces.
The emotions we had to convey were:
-Lost, smart, sweet, jealous, hopeful, horrified, ashamed, snobby, relaxed, whatever, sleepy, curious, tense, brave, grumpy, hurt, insane, sick, duh, in love, exhausted, zombie-like, secretive, conceited, confused.
-On callbacks:
- Do what got you there, don't change or decide to do something different unless you're told to make a change.
Pepto Bismol Commercial:
A: Uh-Oh...you have that look again.
B: What Look?
A: The diarrhea look
B: It's that obvious huh? I can't be more than 10 feet from the bathroom.
A: Pepto Bismol, my friend. Problem solved.
B: I think I'm gonna listen to you this time.
Instructions were given when we got in the room:
Sit down in the two chairs. Improv one line each before you start the written dialogue, then improv two lines each after the written dialogue is finished.
A note about auditioning:
-Questions can be annoying to the Casting Director because he's been doing the same thing all day. Listen first, but if you're really unsure about something, then definitely ask.
KRAFT Commercial:
You were sitting in a chair, driving, and there was a voice-over you had to lsiten and react to, telling you what was going on.
Notes:
- If you are given a prop, use it!
- If you use a prop and move it in the scene, put it back in it's original place when you're done! (You'd be surprised how many people didn't think to do this- I was one of those people! oops.)
- When driving in a scene, make sure you don't go overboard with your hands, while pretending to drive. You hardly have to move them at all.
- Make sure you know where your rear-view mirror is, it should be to your right and up a little.
- If you get an idea, they need to see the light-bulb go off on your face.
- Play the road to the side of the camera.
Note: Let them tell you, you're doing too much. Let them bring you down. If you don't give enough, then you come off as being a bad actor. They will tell you to take it down a notch, but they won't ask you to give MORE.
Haagen Daz Commercial:
We saw the script for 30 seconds, then we were told to get the basic idea of the script across, but make it our own.
Group Eating Exercise:
We were put in groups of 5 or 6 and told to eat a bowl of Sunchips.
Notes:
- The biggest mistake you can make when eating on camera, is the "furrowed brow". It comes off as negative, and looks like you HATE what you're eating! Your eyebrows should go up in satisfaction and/or surprise at the wonderful flavor!
- Stop and enjoy each moment of eating- which is not how you'd normally eat, but is good for the camera.
-Stay positive about the product
- Small bites are best, so you don't have to worry about chewing too much.
- Keep eating, don't take too long to talk.
- If the food isn't there and you have to mime, still take time to react.
That's all the notes I have for that workshop, I really recommend it! Everyone gets something different out of it. For me personally, it took me until after lunch to really get the hang of things. Because I had been told for so long to be careful about giving too much on camera, I was so afraid of giving too much, that I didn't give enough, and it didn't read well at all. SO I think that definitely still goes for tv/ film, but I think for commercials, you can always give a little more than you think. It was very enlightening to see myself on camera. I really enjoyed it, and will keep taking some of these great classes!
Where: Actors Connection
Who: Barry Shapiro
We started out with a game called "Blank a Blank"- I was basically charades but you had to act out a phrase like "Bury a Body" or "Draw a Map" or "Change a Diaper".
This was great because it really got us going and was a great ice-breaker.
"Audition" 1 was for KMART. It was a speaking exercise. All we were told was to walk into the store, take it all in, and decide what we wanted to do.
What we learned was:
-we needed to establish a relationship when working with a partner.
- If you decide to go in the improv- go! Don't stand there waiting for the camera to turn off.
- Don't break character, just do what you say you're going to do.
-When speaking about a product or company in a commercial improv, don't use the work: cheap.
- Keep the joy throughout the commercial, stay positive
Exercise/ "Audition" 2: Facial Expressions
We were told that we would hear a voice-over with certain emotions, and we needed to convey them one right after the other as we heard them, within about 30 seconds. It was a close-up shot on our faces.
The emotions we had to convey were:
-Lost, smart, sweet, jealous, hopeful, horrified, ashamed, snobby, relaxed, whatever, sleepy, curious, tense, brave, grumpy, hurt, insane, sick, duh, in love, exhausted, zombie-like, secretive, conceited, confused.
-On callbacks:
- Do what got you there, don't change or decide to do something different unless you're told to make a change.
Pepto Bismol Commercial:
A: Uh-Oh...you have that look again.
B: What Look?
A: The diarrhea look
B: It's that obvious huh? I can't be more than 10 feet from the bathroom.
A: Pepto Bismol, my friend. Problem solved.
B: I think I'm gonna listen to you this time.
Instructions were given when we got in the room:
Sit down in the two chairs. Improv one line each before you start the written dialogue, then improv two lines each after the written dialogue is finished.
A note about auditioning:
-Questions can be annoying to the Casting Director because he's been doing the same thing all day. Listen first, but if you're really unsure about something, then definitely ask.
KRAFT Commercial:
You were sitting in a chair, driving, and there was a voice-over you had to lsiten and react to, telling you what was going on.
Notes:
- If you are given a prop, use it!
- If you use a prop and move it in the scene, put it back in it's original place when you're done! (You'd be surprised how many people didn't think to do this- I was one of those people! oops.)
- When driving in a scene, make sure you don't go overboard with your hands, while pretending to drive. You hardly have to move them at all.
- Make sure you know where your rear-view mirror is, it should be to your right and up a little.
- If you get an idea, they need to see the light-bulb go off on your face.
- Play the road to the side of the camera.
Note: Let them tell you, you're doing too much. Let them bring you down. If you don't give enough, then you come off as being a bad actor. They will tell you to take it down a notch, but they won't ask you to give MORE.
Haagen Daz Commercial:
We saw the script for 30 seconds, then we were told to get the basic idea of the script across, but make it our own.
Group Eating Exercise:
We were put in groups of 5 or 6 and told to eat a bowl of Sunchips.
Notes:
- The biggest mistake you can make when eating on camera, is the "furrowed brow". It comes off as negative, and looks like you HATE what you're eating! Your eyebrows should go up in satisfaction and/or surprise at the wonderful flavor!
- Stop and enjoy each moment of eating- which is not how you'd normally eat, but is good for the camera.
-Stay positive about the product
- Small bites are best, so you don't have to worry about chewing too much.
- Keep eating, don't take too long to talk.
- If the food isn't there and you have to mime, still take time to react.
That's all the notes I have for that workshop, I really recommend it! Everyone gets something different out of it. For me personally, it took me until after lunch to really get the hang of things. Because I had been told for so long to be careful about giving too much on camera, I was so afraid of giving too much, that I didn't give enough, and it didn't read well at all. SO I think that definitely still goes for tv/ film, but I think for commercials, you can always give a little more than you think. It was very enlightening to see myself on camera. I really enjoyed it, and will keep taking some of these great classes!
Voice-over workshop w/ Katherine Ryan (Don Buchwald & Assoc.)
These are a few notes that I took in my class, if you are interested in Voice-over work, these things may be beneficial to you:
*This workshop was held at Networks. It was supposed to be an intensive, but Katherine said herself that it was basically an open call for her, since they don't ever hold auditions or open calls. We read 3 or 4 scripts into a mic which was recorded into a computer and played back for the class to hear. It was really beneficial to those just starting out or looking for an agent (which Katherine is).
* She said the best way to get an agent and/or get work is first by putting a demo together, which should only cost about $300. She said if it's more than than be wary, especially when it's n the $1000 range- don't pay that. STAR TRAX is a great place to put a demo together. She prefers email submissions of demos at: katherine@buchwald.com and she is a commercial AND voice-over agent, but the agency itself will sign you across the board and also has a theatrical department, and is bi-coastal.
* If you want to do character work or animation, you need to be in LA, it's all out there. NYC is best for commercials, tv, and film voice-overs.
* Pay for voice-over work: you get a $426 session fee- this is standard for voice-over sessions. Then you get a residuals contract which could be for between $100-50,000, for every time the commercial airs, and for 21 months. When 21 months is over they either move on to a new ad or they re-negotiate your contract.
* As a non-union actor without an agent, you can look for work at: Voice Bank or Voice 123
Hope this is helpful!
*This workshop was held at Networks. It was supposed to be an intensive, but Katherine said herself that it was basically an open call for her, since they don't ever hold auditions or open calls. We read 3 or 4 scripts into a mic which was recorded into a computer and played back for the class to hear. It was really beneficial to those just starting out or looking for an agent (which Katherine is).
* She said the best way to get an agent and/or get work is first by putting a demo together, which should only cost about $300. She said if it's more than than be wary, especially when it's n the $1000 range- don't pay that. STAR TRAX is a great place to put a demo together. She prefers email submissions of demos at: katherine@buchwald.com and she is a commercial AND voice-over agent, but the agency itself will sign you across the board and also has a theatrical department, and is bi-coastal.
* If you want to do character work or animation, you need to be in LA, it's all out there. NYC is best for commercials, tv, and film voice-overs.
* Pay for voice-over work: you get a $426 session fee- this is standard for voice-over sessions. Then you get a residuals contract which could be for between $100-50,000, for every time the commercial airs, and for 21 months. When 21 months is over they either move on to a new ad or they re-negotiate your contract.
* As a non-union actor without an agent, you can look for work at: Voice Bank or Voice 123
Hope this is helpful!
Saturday, January 22, 2011
Tea Time!
I have been working really hard all day on a tea party that I'm hosting with a few of my friends. Ever since I visited London in July, I've wanted to come back and use some of my tea and cookies(oops, ate all the cookies before the party...but I've had them tempting me for 6 months! c'mon!).
So since the cookies from Harrods are all gone, I made my own Pumpkin Scones, with my favorite recipe from a Restaurant here in NYC called, "Alice's Tea Cup" and the secret to these is the clotted cream, but since I can't make it (they don't sell unpasteurized cream in grocery stores, which is the key ingredient in Europe), I made whipped cream from scratch, as taught by my mother (thanks mom!). I also made Earl Grey Tea Cookies, with a recipe from Real Simple, and I sprinkled snowflake shapes on each cookie with powdered sugar and a stencil!
The tea I'll be serving is Earl Grey from Harrods and a Vanilla Toffee tea from Tea Palace, both from London. Tea Palace is an amazing tea shop right in the middle of Covet Garden, I definitely recommend it!
I'll also be serving two types of tea sandwiches: Cucumber (duh, my favorite!) with a chive cream cheese spread, and a Chicken Guacamole sandwich. I'll have a fruit salad and some other small munchies too.
Oh I'm so excited to see some of the lovely people I've been missing for these past few months while I've been on tour!
Chris has been gone this weekend, in La (poor thing.) so I decided to have some girlie time! Pictures to come!
I also could not have done any of this without my sweet friend Kristin who lives down the street from me and is a cooking genius!
I'll have pictures up on Facebook tomorrow of our good times, and my Martha Stewart-Esq party!
So since the cookies from Harrods are all gone, I made my own Pumpkin Scones, with my favorite recipe from a Restaurant here in NYC called, "Alice's Tea Cup" and the secret to these is the clotted cream, but since I can't make it (they don't sell unpasteurized cream in grocery stores, which is the key ingredient in Europe), I made whipped cream from scratch, as taught by my mother (thanks mom!). I also made Earl Grey Tea Cookies, with a recipe from Real Simple, and I sprinkled snowflake shapes on each cookie with powdered sugar and a stencil!
The tea I'll be serving is Earl Grey from Harrods and a Vanilla Toffee tea from Tea Palace, both from London. Tea Palace is an amazing tea shop right in the middle of Covet Garden, I definitely recommend it!
I'll also be serving two types of tea sandwiches: Cucumber (duh, my favorite!) with a chive cream cheese spread, and a Chicken Guacamole sandwich. I'll have a fruit salad and some other small munchies too.
Oh I'm so excited to see some of the lovely people I've been missing for these past few months while I've been on tour!
Chris has been gone this weekend, in La (poor thing.) so I decided to have some girlie time! Pictures to come!
I also could not have done any of this without my sweet friend Kristin who lives down the street from me and is a cooking genius!
I'll have pictures up on Facebook tomorrow of our good times, and my Martha Stewart-Esq party!
Sunday, December 5, 2010
O Canada
Well, I was forced to go back on tour. I told the producers that I could not afford to stay on tour because of the additional lay-offs they gave us. After saying my goodbyes, writing thank-you cards, completely convinced by the "we'll work it all out" conversation I had with the company, alas, they have no mercy, no sympathy, and will not let me out of my contract.
It's a long boring story, but the contract stinks, and the bottom line is, I need an agent to represent me and help me deal with all of this in the future. I also feel ready to pursue getting my Equity Card (the actors union), so that I will be more protected in the future by the union rules. I've put in a lot of dues in the non-equity world, and I feel ready to move on to bigger and better things.
So we have 4 performances this week, 2 in Canada (we're waiting for our bus in the Toronto Airport as we speak) and 2 in Toledo, OH. Then we're laid off again for 3 weeks until the New Year.
I'll post an updated schedule for the rest of the tour, as soon as I get it, closer to the New Year.
Please keep us in your prayers, as we try to make the best of this trying holiday season, we'll stay positive, thankful to be going home to spend time with friends and family.
Merry Christmas!
It's a long boring story, but the contract stinks, and the bottom line is, I need an agent to represent me and help me deal with all of this in the future. I also feel ready to pursue getting my Equity Card (the actors union), so that I will be more protected in the future by the union rules. I've put in a lot of dues in the non-equity world, and I feel ready to move on to bigger and better things.
So we have 4 performances this week, 2 in Canada (we're waiting for our bus in the Toronto Airport as we speak) and 2 in Toledo, OH. Then we're laid off again for 3 weeks until the New Year.
I'll post an updated schedule for the rest of the tour, as soon as I get it, closer to the New Year.
Please keep us in your prayers, as we try to make the best of this trying holiday season, we'll stay positive, thankful to be going home to spend time with friends and family.
Merry Christmas!
Sunday, November 14, 2010
Road Woes
Well it's been 2 months on the road, and we've run into more problems than I've ever had on any production I've ever been a part of. I recently had the opportunity to go to New York when we had a few days off, and I was able to sit down with some of the production people in the New York offices, and I thought it went really well. They were very happy that I was able to come in, and inform them of many things they had no idea about. Most of the problems we've had, were the result of a communication problem. It seems that there were changes made on the production side of things that the cast was not informed of, which made things very confusing for us.
Now, after thinking everything was resolved, we've been hit by an even bigger blow. Hopefully everything will be settled by tomorrow, but the company running our tour has asked us to take the week of Thanksgiving "off", in hopes that they would be able to cut our pay to less than half. We were supposed to go to Las Vegas, but that got canceled, and the company has been losing money. Probably because they also produce Spiderman on Broadway, and there has been a lot of money lost there, I'm sure...This of course, is not our problem, but we are trying to work something out so that we get our full pay and still get to be with our families for Thanksgiving.
I for one, cannot afford to not get paid, so if they do not pay us, than that could be the end of tour for me. But I doubt it would come to that, because after the meeting I had with the production office, I have a hard time believing they would do that to us. We may also be able to negotiate on an individual basis. It's times like these I REEEEALLY wish I had an agent!!!
Here is our confirmed performance schedule for the next week:
11/14 (tonight): Rocky Mount, NC 7:30pm
11/15: travel day
11/16: Jackson, MS - Thalia Mara Hall, 7:30pm
11/17: Jackson, MS - Thalia Mara Hall, 7:30pm
11/18: Montgomery, AL - David Theater, 7:00pm
11/19: Oxford, MS - Ford Theater, 8:00pm
11/20: Longview, TX - Belcher Theater, 7:30pm
11/21: Texarkana, TX - Perot Theater, 7:00pm
I'll keep you posted on what happens!
Now, after thinking everything was resolved, we've been hit by an even bigger blow. Hopefully everything will be settled by tomorrow, but the company running our tour has asked us to take the week of Thanksgiving "off", in hopes that they would be able to cut our pay to less than half. We were supposed to go to Las Vegas, but that got canceled, and the company has been losing money. Probably because they also produce Spiderman on Broadway, and there has been a lot of money lost there, I'm sure...This of course, is not our problem, but we are trying to work something out so that we get our full pay and still get to be with our families for Thanksgiving.
I for one, cannot afford to not get paid, so if they do not pay us, than that could be the end of tour for me. But I doubt it would come to that, because after the meeting I had with the production office, I have a hard time believing they would do that to us. We may also be able to negotiate on an individual basis. It's times like these I REEEEALLY wish I had an agent!!!
Here is our confirmed performance schedule for the next week:
11/14 (tonight): Rocky Mount, NC 7:30pm
11/15: travel day
11/16: Jackson, MS - Thalia Mara Hall, 7:30pm
11/17: Jackson, MS - Thalia Mara Hall, 7:30pm
11/18: Montgomery, AL - David Theater, 7:00pm
11/19: Oxford, MS - Ford Theater, 8:00pm
11/20: Longview, TX - Belcher Theater, 7:30pm
11/21: Texarkana, TX - Perot Theater, 7:00pm
I'll keep you posted on what happens!
Monday, October 25, 2010
From the road...
I'm currently writing this on the bus, and we're driving from South Carolina to New Albany, OH. It's going to be a long, rainy day.
It's someone's birthday today, so we decorated her bus seat and gave her a crown to wear, cuz it stinks that her birthday is on a travel day...but at least we don't have a show and we can party later!
Everyone is sleeping...we have "quiet hours" until noon every day, which is really great. We haven't had many bus behavior problems, but everyone, myself included, gets really restless towards the end of long travel days. Playing movies on the bus helps, if everyone can agree on what to watch, which is never. Today the birthday girl's pick is "Hocus Pocus", my closest claim to fame, for those of you who know the story.
The bus driver is really great, his name is Mike. Mike is a Southern Man, very chivalrous and polite. I don't know how he does it. This bus is enormous.
And now for my weekly vent/ rant:
We've been on the road exactly a month today, and I've been feeling a little homesick lately. Okay a LOT homesick. It seems that everyone has had family and friends come to the show, except me. There have been missed opportunities because we don't get the schedule until the last- minute (which completely violates our contracts, which say we're supposed to get our full schedule of the upcoming week the Sunday before that wee begins!). Bailey, for example, was coming to see a show that got canceled this week.
The thing that keeps me going is that Chris and Millie are coming to see me in New Haven, CT in a week and a half! Counting down the days!
There have been a lot of frustrations about the logistics of this tour lately. Mostly having to do with the scheduling. The one-nighters are killing us. Not just because we're performing in a different place every night, but also because the drives are always so long. Our show is long, and we have late nights, and then early mornings because of travel, and the sleep we get on the bus is not restful. We don't have much of a turn-around when we get to the hotel before we have to be at the theatre, and then the cycle starts again.
This would be much different under UNION rules, but we're being taken advantage of because we're non-union, and they don't have to follow rules. It would make this production much more professional if they did. The tour I went on last fall was non-union, but they chose to follow the union rules anyway so that their cast/ crew were happy and had a good experience. THAT is a professional company.
Our hotels have been really nice, but for the last little while, they've been in the middle of NOWHERE. Literally. No food, no grocery, no stores, nothing in walking distance. I'm not sure what they expect us to do. I get instant meals from Wal-Mart for these such occasions, but a girl needs fresh food! I'm not asking for a Whole Foods everywhere I go (which would be nice, by the way) but at least give me a Piggly Wiggly!
Okay, enough of the negative. "keep it positive...", thanks Elle (Musical Reference).
It's someone's birthday today, so we decorated her bus seat and gave her a crown to wear, cuz it stinks that her birthday is on a travel day...but at least we don't have a show and we can party later!
Everyone is sleeping...we have "quiet hours" until noon every day, which is really great. We haven't had many bus behavior problems, but everyone, myself included, gets really restless towards the end of long travel days. Playing movies on the bus helps, if everyone can agree on what to watch, which is never. Today the birthday girl's pick is "Hocus Pocus", my closest claim to fame, for those of you who know the story.
The bus driver is really great, his name is Mike. Mike is a Southern Man, very chivalrous and polite. I don't know how he does it. This bus is enormous.
And now for my weekly vent/ rant:
We've been on the road exactly a month today, and I've been feeling a little homesick lately. Okay a LOT homesick. It seems that everyone has had family and friends come to the show, except me. There have been missed opportunities because we don't get the schedule until the last- minute (which completely violates our contracts, which say we're supposed to get our full schedule of the upcoming week the Sunday before that wee begins!). Bailey, for example, was coming to see a show that got canceled this week.
The thing that keeps me going is that Chris and Millie are coming to see me in New Haven, CT in a week and a half! Counting down the days!
There have been a lot of frustrations about the logistics of this tour lately. Mostly having to do with the scheduling. The one-nighters are killing us. Not just because we're performing in a different place every night, but also because the drives are always so long. Our show is long, and we have late nights, and then early mornings because of travel, and the sleep we get on the bus is not restful. We don't have much of a turn-around when we get to the hotel before we have to be at the theatre, and then the cycle starts again.
This would be much different under UNION rules, but we're being taken advantage of because we're non-union, and they don't have to follow rules. It would make this production much more professional if they did. The tour I went on last fall was non-union, but they chose to follow the union rules anyway so that their cast/ crew were happy and had a good experience. THAT is a professional company.
Our hotels have been really nice, but for the last little while, they've been in the middle of NOWHERE. Literally. No food, no grocery, no stores, nothing in walking distance. I'm not sure what they expect us to do. I get instant meals from Wal-Mart for these such occasions, but a girl needs fresh food! I'm not asking for a Whole Foods everywhere I go (which would be nice, by the way) but at least give me a Piggly Wiggly!
Okay, enough of the negative. "keep it positive...", thanks Elle (Musical Reference).
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